Harley Benton AC PRO 60

Firstly, just to clarify my "status" as a guitarist, if there is such a thing. I've been playing guitar - acoustic and electric - for over 30 years. Sheezus, I'm old. Anyway... Suffice to say I've played through a gamut of different amps and PA systems over the years and currently own a Marshall AS50D acoustic amplifier (I used to own an AS100D) and a Yamaha Stagepas 500 PA and I bought this little amp for my son to get him gigging.

Well, what can I say. Impressed is not the word. Well, it is, but if you could incorporate impressed and surprised into one word, that would be the word - imprised?

The tone is not really like the AS50D - in some ways it's a better tone, in different ways not. For example, it has a mid on the guitar input which the AS50D does not so you can alter the tone quite a lot there even if you have an EQ on your acoustic. Also, the AS50D just has one reverb setting while this has 2 plus a delay and a chorus. The AS50D wins on the chorus stakes though as it has a dedicated chorus function, however it's handy having a delay - I actually prefer delay over reverb if given the choice of one or the other - although the delay on the amp is not adjustable in any way other than level, it's useful all the same.

Those differences aside, if comparing them side by side I'd say that the Marshall has more of a spectrum to the sound, but the Harley Benton is somehow "clearer", more of a focused sound, especially when finger picking. In isolation they are both excellent and there's not a whole lot between them if you EQ them to sound similar and when in isolation you'd be happy with either.

I've had both the AS50D and the AC Pro 60 on a Thomann amp stand (which is also excellent) cranked up with a guitar and Shure SM58 plugged in and seated within 1.5 metres of the amp and feedback is minimal - in fact it's a lot worst on the Marshall - to the point where they have a "feedback elimination" control, but it's not needed on the Harley Benton at all!

Cranked up they are both clear and distortion free - providing you're careful to turn down the bass at high volume levels of course. I'd be totally happy gigging with this amp with no problems at all, and if my Marshall gave up the ghost I wouldn't hesitate in replacing it with one of these. All you need for a small acoustic pub gig.

Incidentally, I'm pretty sure that this is identical to the Tanglewood T6 amplifier. Certainly looks it, and that's had rave reviews, except this is a third of the price!

Highly recommended. Grab yourself a bargain.

I've been researching an acoustic amplifier for at least two months before deciding to buy this one and I'm happy I spent that amount of time, because otherwise I would have unnecessarily spend a lot of money. The landscape for these products is surprisingly crowded and you kinda need to do your homework.

This amplifier is the "Goldilock" of acoustic amplifiers, meaning it has the best balance between features and price.

So, this is what you get for just about $200:

- almost everything you would want in terms of connectivity. Output connectors to tuner, phones, line out (separated from phones) DI out balanced and, ta daa: footswitch connection and effect loop. If you're just starting out you may not need a footswitch and effect loop right now, but adding these later on would come at a cost, so it's really nice to know you have them packed in. In terms of input connectivity, you get 6.3mm jacks for line in and micorphone, a mp3 small jack and a line in. Second 6.3mm input is balanced.

- you get a decent effect range built in: hall, plate, chorus and reverb, which can be balanced across channels, so for instance you will have the chorus only for mic, if you want, while keeping the guitar channel clean. For more complex stuff, you always have the effect send and receive connectors on the back and you can choose whatever you want.

- 45W at 8 ohms, which is more than enough for rehearsal (I never played at more than 30% volume in my small apartment, to be honest) and I suppose it will be just enough for a real life gig, in a coffee shop or a small venue.

- some small extra perks, like the contour function and the high / low clip on the acoustic line.

The construction feels very sturdy, the sound is clean and it has a lot of volume to it. The only drawback (if I want to be picky, that is) is the handle, which takes a little bit of handling care (not too much space between the strap and the body), but you will get used to it.

All in all, I think this is the best choice you have for beginner / medium level players, on a budget, without compromising quality, or future developments of your guitarist journey.

The Harley Benton AC PRO 60 is a versatile and affordable acoustic guitar amplifier that offers a range of features suitable for both beginners and professional guitar players. It comes at a budget-friendly price without compromising on quality, making it an attractive option for those looking for a reliable and functional amplifier.

The AC PRO 60 has a sturdy construction, with a durable cabinet made of high-quality materials. The amp features a stylish black design with a control panel placed conveniently on the top surface for easy access. The build quality is impressive, especially considering its affordability.

This amplifier delivers a clear and vibrant sound, enhancing the natural tones of an acoustic guitar. It has a power rating of 60 watts, which is more than sufficient for small to medium-sized venues. The amp provides a wide range of tonal options, allowing guitarists to shape their sound according to their preferences. With dedicated controls for bass, midrange, treble, and presence, as well as a built-in reverb effect, users can easily adjust their tone to suit different playing styles and genres.

The Harley Benton AC PRO 60 is loaded with features that make it a versatile option for guitar players. It has two channels: one for an acoustic guitar and another for a microphone or another instrument. This makes it suitable for solo performers or small acoustic acts. The amp also includes a headphone output, allowing for quiet practice sessions, as well as an auxiliary input for connecting external audio devices such as a smartphone or MP3 player.

Weighing in at just under 10 kilograms, the AC PRO 60 is relatively lightweight and easy to transport. It is compact enough to fit in a backpack or carry-on luggage, making it ideal for gigging musicians or those who frequently play at different venues.

One of the standout features of the Harley Benton AC PRO 60 is its affordability. It offers excellent value for money, providing high-quality sound and a range of features typically found in more expensive acoustic guitar amplifiers. This makes it a great choice for beginners or guitarists on a tight budget.

In conclusion, the Harley Benton AC PRO 60 is a reliable and versatile acoustic guitar amplifier that delivers great sound at an affordable price. With its solid build quality, wide range of tonal options, and convenient features, it is suitable for both beginners and professional guitar players. Overall, this amp offers excellent value for money and is worth considering for anyone in need of a reliable and affordable option for amplifying their acoustic guitar.

Just bought this amp and I'm totally blown away with it. The sound is clear and surprisingly loud, I'm using it with a Taylor GS mini. I've recently been in the market for a new amp and tried a few, the Bugera, Vox and Boss etc acoustic amps but have been disappointed with all. This little amp packs a punch and really brings out the sound of the guitar. I've had a joyo bsk 60 for a few years now and can say it's a great amp with sooo many extras, but the Harley Benton definitely matches it for sound.
The only gripe I have is the lifting handle is tight to get your hand under. Well pleased otherwise

In summary- a seriously good amp at a seriously good price. But without detracting from it, there is I feel a worthy alternative- read on.

To start, I would say that I agree with all the other comments, except that I haven't heard the Roland. So I will limit my comments to mainly new areas.

I bought this amp with the intention of upgrading the speaker to that used in the AER Compact 60. That would not be a cheap option, but it would then still cost less than a Tanglewood T6 or well under half the price of an AER. But now I've got it I don't see the point of upgrading. It sounds different to an AER Compact 60- if I'm picky marginally inferior when doing a simple side by side test and trying to hear differences. But at a noisy gig with the volume turned up, reverb on, and the sound fighting against the rest of the instruments plus the mikes, any differences are just too marginal. And when you bear in mind that it's well under a quarter of the price of the AER.........But sound quality aside, I would have to say it just can't push out the the volume of the AER. I appreciate that AERs have a reputation for producing volume- could be their amp design or simply using a more efficient speaker, but it does lead to the comment already made that although Thomann market this as a 60watt amp and that is the quoted spec in the manual, the output as stamped on the amp itself is 45 watts. So what's going on ?

By design, it's never going to be an electric guitar amplifier. Sure you can run an E guitar through it, but both the amplifier section and the speaker in any acoustic amp are just too clean for an e guitar. But I can suggest an economical way round this.

For 33 euros you can buy a Behringer X V-amp LX1-X. This footswitch can model many classic amps, and can product a gambit of stomp box pedals. You can even set it up 'totally clean' and simply use the foot pedal as a volume control for your electro acoustic- handy when you want to up the volume for a solo ! Be aware that these are superseded, so its at a sell off price, and I presume stocks are limited.

But as the worthy alternative? For a little extra, you can buy a TC Helicon. That is primarily a monitor, but being so clean it is great for an acoustic. It's 150 watts, weighs only 3 kg, and is very small. It can even effectively amplify a bass! I've got both.

Enjoy your playing !

I

I was intrigued at the similarity of this amp to the tanglewood T6

Technical spec almost identical top and back plates almost identical down load both manuals and see for yourself

The only visible difference is the addition of a standby power button on the back plate and strangely a 45 W(RMS) in yellow text on the back plate even though the Harley Benton manual States 60W (RMS)???

Sound wise this is an excellent amp and in side by side tests with the tanglewood T6 It's hard to tell them apart. The on board effects are good but not outstanding
Acoustic guitar and mic sound very clear and transparent. This really is an outstanding amp for the price, and the sound oozes quality and has already received lots of positive feedback from those who have heard it for themselves.Plenty of volume if needed so no more lugging a small PA just for solo gigs.

First order from Thomman excellent service 4 working days delivery to UK better than most UK companies and free. I will defiantly be using Thomman a lot more in future.
I am so glad I did some research before punching an acoustic amp and found this gem at an unbelievable price of £132 seroiusly good value