Harley Benton HB-35Plus Cherry

Ok, I waited for a while before this review and now i can make a more accurate assessment of this guitar. First thing’s first. I should say right off that i am enjoying this guitar far beyond my expectations.
The scratchplate was flawless, but my HB-35 is probably from a newer batch. (The sratchplate is an LP style, not the rounded one usually found 335’s).
The “Flamed” maple IS there, but it is almost imperceptible on my cherry HB-35. Maybe the finish is just to thick, i don’t know, on the other hand the guitar still looks amazing and this could be a plus on durability.
The neck is made of three different pieces of wood, (Headstock with a neck scarf and two pieces on the neck joint).
Electronics are fine. The push pulls and the three way switch feel much better than i had expected beforehand, and the roswell pickups are a wonderful surprise on warmth and clarity, (mainly given the fact that the whole guitar costed only 195€). I actually liked the pickups a lot and i was really not expecting that to happen.
On other reviews that i've read some people liked the fact that the jack input was located on the bottom of the lower bout and not on the top, but on my case the was actually a problem. I use a Shure wireless and the even with the bodypack on the bottom of the strap the longest shore cable is difficult to reach the input jack, (the reach wouldn't be a problem if the input jack was located in a more traditional place).
The hardware is kind of what you would find on your average epiphone, and i only had an issue with the TOM bridge. Nothing about the material, but more about where it was installed. I had to reverse 4 saddles in order to get intonation accurate above the 14th fret.
On the other hand, after this saddle adjustment i was actually able to lower the action a LOT and the neck and build quality allowed it to happen.
Although i had to do a totally new setup in order to make the guitar fully usable until the 22nd fret, please don’t get me wrong, the guitar sounded amazing in the lower octave just out of the box, (factory strings and all). Can't really criticisethe nut, it's well cut and looks ok.
After a wonderfull week playing it I decided that this guitar would be used in gigs side by side with gibsons and other much more expensive brand guitars so i ordered some greenish keystones shallers with double rings. The ones that came from factory held tuning ok-ish, but these new ones work flawlessly. The other only upgrade the guitar got was a gibson 498T pickup installed in the bridge. Again this was not because the roswelll bridge LAF PU didn't sound right, it was just because on the set i’m doing for the moment, this is what I need in order for this guitar to fit in without having to make any adjustments on my rig.
In terms of size, the body of the HB-35 is between a 339 and a 335… for me is just perfect. Not to big as a 335, not to small as 339.
Cons…, yes there where a few, mostly in terms of setup, but nothing that i had not found before on epiphones or even gibsons. All in all I’ve upgraded the HB-35 spending additional 140€ and I didn’t had to spend any money on a luthier because i can do everything myself. (beside the pu and the tuners i changed strings to 9’s, oiled the fretboard, polished the frets and lubbed the nut with big bends nut sauce. Anyway i’m really glad I did these upgrades because with about 410€, (including the suitable hardcase), i have an instrument that fulfils the job of some of my other guitars that costed between 1000 and 5k, and that is simply amazing. (i think semi-hollowbody epi’s are more expensive and i don’t like their pu’s).
From a reference standpoint i should state that I perform professionally mostly in auditoriums, and this guitar performs as good any other instrument costing 5 to 10 times more.
When i ordered this guitar i thought i was ordering a “335” style guitar… i’ve even upgraded the tuners to copy the look and vibe of the vintage dot gibsons. Well, after this experience, and in my mind this guitar is something of it’s own, it looks great and feels and sounds amazing. It’s not some 335 knock off anymore and i’m proud showing off this HB headstock on stage because the guitar has an amazing tone.
p.s. I only went trough the trouble of writing this review because i can still not believe how much value for money the instrument represents even without the upgrades that I had made, so i cannot recommend this enough to any beginner or seasoned guitar player.

The guitar arrived well packed with double boxing to prevent damage (a good start there then..)

Neck: The neck is straight and well finished with no fret sprout or sharp edges (a real bonus at this price point as opposed to Epiphone for instance, who don't seem to give a jot for customers cutting their hands on badly finished and sprouting frets)

Frets: The fourth fret is slightly high (I will get my luthier to sort it out when I put it in for servicing in six months or so, in the meantime I've raised the action by a bit so it's not a major problem to me)

The fretboard had on delievery a lovely coating of dirty buffing compound which is of course sub-optimal, but the compound was removed by the lemon oil I used to bring the fretboard back to life (prior to this the fretboard looked dry and dusty and made my fingers dirty with buffing compound and the residue from the frets when they were (not very well) polished, but 5 minutes with a dremel with a small buffing wheel affixed cured that during the string change.

The dot markers down the edge of the fretboard are very uneven some touching the binding others 2 or 3 mm clear of the binding (quality control problem?)

Machine heads: Really good, they are smooth and hold tune (so far at least)

Body: A smashing veneer on the top and well made, unfortunately the person who screwed the scratch plate on needed a second go at screwing it on (leaving an unsightly two holes where I've removed the scratch plate, instead of the normal one),

The finish on the body and neck is however of really good quality.

Hardware:The pickup spacing doesn't match the stringing , the strings line up with the pole pieces on the bass side but on the treble side the pole pieces are 3 or 4 mm out of line (the neck would accept the pickup's pole spacing just that the stings were set too far inboard (quality control problem?), Setting the strings outboard a couple of millimetres on each side would have averted this problem as it stands where the treble side of the sound is slightly weak (due to the misalignment of the string relative to the pole pieces)

The bridge is of abysmal quality, the bridge would not drop as it should because of poor manufacture/finishing, however 10 minutes with a file and putting a little grease on the threads has alleviated the problem (I shall be buying a replacement bridge at some time but for now it's working and I'm counting my blessings there).

The intonation was a little off as delivered, but as I have removed the standard 10s and replaced them with 9s it needed to be reset anyway.

Volume and Tone controls, the volume controls are as they should be, but the tone controls have a very uneven gradation of tone, reducing treble by very little at first but a big drop in treble on the last 10-15 degrees of rotation (maybe using pots with an audio taper would fix this?)

The pickup heights were far from optimal as setup, the neck pickup was about 3mm from the strings, and at the bridge pickup about 8mm, which resulted in a lower level from the bridge pickup, on adjustment the pickups now have far more equal output.

All in all it's a really nice guitar marred by some really slapdash mistakes, the coil taps making far more tones available than can be got by non-tapped humbuckers alone, making it far more versatile guitar than for instance an Epiphone Dot.

It might seem slightly churlish to look this closely at an instrument that costs under 200 Euros but if the setup and production was as it was supposed to be, this guitar would constitute an absolute bargain, as it is, it's a good guitar for the money and a hundred odd pounds spent on a luthier sorting the frets and giving it a proper set-up will make it favourably comparable with guitars costing 3, 4 or even 5 times the price.

TLDR A good guitar with a few small production issues that need to be sorted to make is a great and very usable guitar.

NOTA BENE: However I have to mention that Thomann's choice of couriers is far from the best, UPS are absolutely dire when it comes to customer support, they don't do proper tracking (UNLESS you pay UPS extra for tracking info, the best they can do is state it'll be arriving on such and such date, personally I'd prefer Thomann use DPD who give full tracking info at no extra cost and give an hour's slot when the item will be delivered *as standard*, and if you do phone DPD for information they don't complain at the customer for wanting to know when goods will be delivered like it's a major inconvenience to them as UPS do...
Take note UPS, crappy service with no tracking available means you'll lose the gig if Thomann decide their customers are more important than a second rate courier service that demonstrably doesn't function well outside of the United States

This HB 35 plus Cherry is my fifth Harley-Benton guitar from Thomann, the others being an SC 450 P90 Gold Top, an SC 550 Paradise Amber flame, a TE 90 QM trans red and, a Delta blues O size acoustic, so I’m no stranger to these guitars.

As with previous orders, delivery from Germany to the UK was efficient, arriving faster than many inland parcels and, without any damage, Thomann’s double-boxing affording effective protection during transit.

The fit and finish is great, I mean really great. I can’t find any blemishes. The binding is beautifully done, the pots feel smooth and the coil tap isn’t sloppy or overly stiff. The rest of the hardware seems fine, is functional and certainly better quality than you’d expect at this price point. I did have to tighten the nuts on the two volume pots as they were loose but other than that and tuning, that’s all that required immediate attention. The only thing I know I will do so far is to add a jackplate to lessen stress on the wood surrounding the jack and, remove the pickguard, a purely aesthetic personal preference.

The flamed top, although beautiful isn’t particularly vivid or deep looking but is a nice touch. Nonetheless this is still a beautiful guitar. Visually, I’m impressed - again.

The neck feels comfortable and correct for the style of guitar. The frets feel good and there’s no buzz anywhere along the fretboard which, is a little lighter than I was expecting but not drastically.

Unplugged, the HB35 plus is easy to sit and play in the small hours without causing annoyance. Plugged in, the Roswell humbuckers sound remarkably good, clear, warm and, with the volume cranked up, nice and crunchy. Coil tap is a nice bonus feature, there are ‘some’ good tones there but I’m not yet convinced I will find it particularly useful but like I say, it’s a bonus and adds versatility.

In conclusion, this is an amazing guitar, even more so when you consider the price. It’s comfortable, plays well, looks and sounds great. Between this and the TE 90 QM what I have is all the semi-hollow essence and feel I could ask for and some.

If only affordable guitars of this quality were available 45 years ago! What a time to be alive! Thank you Thomann.

What a guitar, incredibly well put together and plays well straight out of the box.

Pro's:

The fit and finish is great, there was some tiny blemishes here or there, but they are unnoticeable unless you hunt for them.

The neck and frets were perfect on my guitar, and ultimately that is the most important thing for any guitar. There were no uneven frets, the neck was straight with a slight bow. The action was low and there was no buzzing all the way up the neck. The only thing that was slightly wrong was the fretboard was dry. But after applying some lemon oil all was well.

The pickups sound great to my ear. They are very hot, but respond well when turned down slightly on the guitar, if you need a less intense sound. The coil splitting works well, maybe not something I'll use too much.

Cons:

No guitar is perfect, but thankfully the cons here are very slight. Really it comes down to the use of cheap hardware on the guitar. The nut was poor and caused some tuning issues, I bought a Graph Tech PT 6060 00 slotted nut which fitted well with some minor sanding. The saddles are poor and caused strings to break often, I replaced with a new graphtech tune'o'matic bridge. And the tuners aren't the best, I find that I constantly have to slightly tighten them to keep it tuned, I've ordered replacements.

I have ended up spending a little less than 100eur on my upgrades and they are the cherry on the top of an already great guitar. Beginner or experienced players will find great things in this instrument. You just can't go wrong.

One guitar I have always wanted was a Gibson ES335 in Cherry Red, but I could never afford one. However, recently I got a Harley Benton TE40 and was very pleasantly surprised by how good a guitar it is. So I checked out the Thomann website to see what else HB had to offer and I found that the HB35, a very pretty 335 style guitar, so after a little research and a lot of review reading later, I took a punt on one. It arrived this morning. It looks beautiful and sounds amazing, plays and feels like a far more expensive guitar, and all for less than 10% of the cost of the Gibson ES335.

It is finished flawlessly apart from one small thing, the fret marker in the binding for the first fret is slightly off centre, but do bear in mind that I was looking for faults and it's not a biggie. I had read in other reviews that the pick guard tends to be poorly finished, but I think HB must have been taking note because mine is perfectly fine, though I will take it off because I'm not a fan of them. The frets are finished well, no sharp edges, I've had far more expensive guitars that weren't finished this well.

Soundwise I cannot find fault. The Roswell pickups deliver a well rounded sound through my Fender Twin Reverb in all three positions and I actually found that the single coil switching gives a decent, usable tone, although obviously lacks the power of the 'buckers. A little tweaking with the tone and volume gives massive versatility with this guitar.

The quality of the hardware is pretty impressive too. The tuners are far better than I expected, being nice and smooth and feeling really dependable. After stretching the strings I have no tuning issues with this guitar. I had expected to be changing the tuners, but I'm not so sure that I need to now. The intonation was slightly out, but that was an easy fix by adjusting the bridge. The bridge and tail piece both look and feel high quality too, BTW. String height was perfect for me and the set up is very good overall, no fret buzz, no dead frets.

Overall I think that the HB35 Plus is a great guitar that I will enjoy for many years to come. It's pretty, it's versatile, and I think I'm in love...

I have played guitar many years. Mostly rhythm guitar player and singer in a couple Oldies bands, songwriter, and play in a worship band at church. Playing a little more lead guitar these days. Also, have a YouTube channel ( @tman1954 ) where all 3 recent guitar purchases from Thomann have been used. I also have an American HSS Strat, a high end acoustic guitar and a cheap Ibanez acoustic.
A lot of bang for the buck with this Harley Benton HB-35Plus Cherry!
Great sound selections with Humbucker and coil splits on each! I purchased Gotoh locking tuners just because they make changing strings much easier but the stock tuners were fine. No tuning problems with either set of tuners.
Beautiful finish and plays really well! I highly recommend this guitar!

This guitar is just plain... beautiful.

I've wanted an ES-335 style guitar for as long as I have been playing but they were always out of my price range. I didn't want to spend money on a subpar quality guitar either. I've played Epiphone ES-335s, and copies from a tonne of brands. And if I'm honest? This one beats them all.

Aside from the looks, the quality and care is stellar. The split coil function is a serious added bonus. This guitar is quickly becoming my favourite, beating out even my Fender Strat.

Pickups aren't as great as say Seymour Duncans, but it punches so far above its price range that it's crazy. Might swap them out eventually, but I'd be very comfortable taking the guitar gigging as is.

Aside from all that, the guitar is just slightly different from other ES style guitars. Mainly the jack and selector location. They're in the positions of a LS style guitar, being on the side of the body and the top opposite of the pickguard respectively. I much prefer this, and makes me wonder why everyone doesn't do that. The whole control region on an ES style guitar was always much too cluttered for my taste.

Perfect 10/10 for me. Had you have told me it was a 700 dollar guitar I'd have believed you.

OK I love my guitars. I own cheapo amazingly good guitars, through to Ibanez (which you just can’t go wrong with generally) through to Gibson Custom Shop. I build and repair and setup guitars too and have done for 25years. I like to think I know a bit about the subject. So, for £177 delivered is it any good. Simple answer…… it is amazing. If I had paid £1500 for this I would be happy. Really. Only two “issues” were very minor…. Lose strap buttons and frets need a polish. The frets are very well finished, smooth ends, no sprouts or sharp edges. Just dull. The neck relief as set up out of the box was as close to totally straight as I would ever dare. A hairs width of relief. A tiny amount. NO fret buzz anywhere, even on bends high up the neck. I wound the bridge down a bit to about 1.2mm - 1.5mm string height above the 22nd fret, and with the fitted 10s NO string buzz even on whole tone bends. Pickups sound incredible. Finish is great. For the little money actually the whole thing is stunning. Very close to my Gibson Custom Shop ES355. I’m not joking.
So as a sceptic I am actually totally astonished by this. I was expecting and counting on a project that would need work. I was wrong. A bit of fret polishing and tighten 2 screws, then adjust string height to preference.
Delivery to the UK was slower than pre-Brexit, about 6 days.
How they can turn these out for the money I do not know. Highly highly recommended.