One year ago I bought the Harley Benton MB-5 SB Deluxe Series, and you can reed my feedback under it. I gave 3 stars, a feedback score way lower than the average ones. I also explained the reasons for such a score.
Today I'm reviewing another Harley Benton Bass, this time it's a fretless J-Bass, homage to Jaco Pastorius' Bass of Doom (the way it looked before Jaco destroyed it, not the way it looks now in the big hands of Robert Trujillo!).
First and foremost, this bass is lightyears away from the MB-5 SB Deluxe Stingray copy.
Preface. Being my first fretless bass, I do not have any precise reference.
Short review. Do you want to treat yourself to a fretless bass that even looks like Jaco's Bass of Doom, without having to take out a loan? Steal this bass. Seriously, even with the bass in my hand, I cannot believe that such an instrument could be sold for 179€.
Detailed review. In order to keep the price as low as possible, a lot of compromises are necessary. I consider that in my evaluation.
Pros:
Build quality. The overall construction of the instrument is very good. There is no play between the body and the neck: they seem to be tailor matched. Maybe other owners were less lucky. All screws are well fixed (also thanks to the dense wood of the body). No shims, spacers or any kind of patch is to be found anywhere in this bass. the people who designed this bass and those who put it together did a great job.
Painting. The painting is uniform and smooth, w/o any visible imperfection. is it thin, or is it thick, as it was on the MB-5 SB Deluxe? Only when I begin to relic it I can tell (the idea is to create a replica of the Bass of Doom)
Neck. The neck is straight and the finish of the back is satin and feels good.
Electronics. minipots, but noiseless for the time being and with a good logarithmic response. No soldering or grounding issues.
Pickups. I tried several combinations of the two pickups in order to find the classic fretless sound -eventually found for A-D-G strings- so I have played a lot with the pickups adjustments and te post-eq. they are from Roswell, differently sized to match the different space between the strings at the neck or at the bridge position. They are AlNiCo V, and, since my other basses have either AlNiCo II, III or ceramics PuPs, I can't really compare. They look and sound like standard single coil PuPs and produce the expected nasal J sound: snappier from bridge, more mellow from neck. The sound is however quite warm, I didn't expect an AlNiCo V to produce such a warm tone.
Sound. Little to complain once equipped with quality flatwound strings. with the roundwounds it came equipped with... 4 stars.
Setup. For the first time, the factory setup of a bass that comes from China or Indonesia is excellent out of the box. Or maybe someone at Thomann worked on it, but I didn't find any QC card from Thomann inside the box, only the one from the Chinese factory. Or maybe I'm fooled because my only reference are fretted basses... Anyway, has low action and perfect intonation. Maybe I'll lower the action further and see how it goes. Expect updates on this. Oh, I almost forgot. The PuPs are set too low. I've read some reviews with complains for either low output or the impossibility to adjust the PuPs height. I hope that's not the case, but I can easily see a correlation between these two issues. Expect updates on this too.
So&sos
it weights a ton. The Ash body looks cool and solid, and you feel every bit of it. On your shoulder.
Tuning keys. They are "Squier-grade": they are OK but the screws easily slip.
Shielding. Not shielded at all, and you hear the hiss noise when not touching any metal part. I'll fix this with copper tape.
Fretboard. out of the box it was dry. It is laurel, it could deteriorate quickly -especially with ROUNDWOUND STRINGS. PS. great that has sharp edges. I'm not a big fan of rolled edges.
Hardware. As for the tuning keys, the quality is Squier (Affinity) grade. It's OK -if I'm asked to sacrifice something to keep production costs low, then I would sacrifice the hardware. As part of the hardware, I also include the knobs. They look like those on Fender J bass, but feel muddy when turning (not a bad feeling, but it's the first time I experience such a friction in turning pots' knobs). Jaco replaced those knobs with the knurled chrome knobs from a Fender p bass... TBD.
Strings. To keep the price insanely low, budget roundwound strings were used; flatwound should be the strings of choice for a fretless bass. OK, Jaco used roudwound, but 10 years old and dipped into goose grease, so you can almost consider them flatwounds...
Nut. It's plastic, but for a while it does its job.
Cons:
None so far.
Well, actually one, minor. Why any attempts to introduce some variations on the Fender headstock shape end up in a failure? Educated guess: because the Fender headstock design is not simply iconic, it recalls (by chance?) the violin key on a pentagram... what do Sire's or HB's ones recall?
Summing up, for a ridiculous price, you own a fretless bass that looks great, sounds great (after replacing the strings with good quality flatwounds) and plays very good. Actually, if it wasn't for the weight, I'd say it plays great. But be reassured: no neck diving issue here.