Lewitt LCT 440 PURE

LCT 440 pure is a beautiful modern designed large diagram condenser microphone with impressive electronic circuit and wonderful sounding 1 inch capsule, which can also be found in Lewitt hi-end range of microphones.

The microphone features impressive specs with self noise of 7dB (A) and a sensitivity of 27.4mV/Pa which means it will not introduce any noise in the signal chain and you'll need less preamp gain. It is therefor suitable for recording quiet sources such as Foley.
On the other end, it can handle the SPL of 140 dB, so you can throw it in front of the loud guitar amp or drums without worrying it will distort.
Frequency response is very smooth, with little emphasis on the upper region, which generally help the sources cut through the mix.

The most impressive thing about this microphone is the sound it captures. It is very detailed and refined, with clear reproduction of sound source(s). It's neutral and true to the source, without coloration, but tuned to give a slight boost in high frequencies. It has nothing in similar with the nasty/piercing sound of the overly bright cheep condenser microphones.

I would highly recommend using this microphone for recording Speech, Vocals, Acoustic Instruments, Sound Effects and Foley.

I bought this mic based on fact finding and recommendations from various youtube users.

I was looking for an upgrade from my t-bone sc1100 and although the 200-300 euro choices have some good packages the LCT Pure stood out less about added value and more about quality.The less that came with it the happier i was as i had no need for a pop shield,hard case or even cable.
You get a carry pouch,mini plastic pop shield and cradle and a very well built mic.
Compared to the t-bone the difference in quality of build is obvious,the LCT440 feels like a decent mic.Compared to the t-bone and sound i found the LCT440 to be smoother at the high end and requiring alot less corrective eq in general.
On my voice (baritone) it just kills.On acoustic it kills again.On electric guitar near and far it kills.
Trying to find things i don't like is hard as the LCT440 is a dynamite performer on everything i've put in front of it so far.The leap in quality of recorded sound has made a big impression upon me and i'm over the moon i made the choice of Lewitt.
Picking a mic when you don't have a large budget is really tough so getting it right the first time is paramount.
If you're upgrading from a cheap capacitor then i can't recommend the Lewitt highly enough.For me it's been a tangible step up in quality and it's built to last a good while.Once and if my budget allows i'll go for another Lewitt without hesitation.They have a strong reputation for good reason.

I use it for Trumpet & Flugelhorn recording at my home recording studio.
For professional music - entertainment productions.


They captured naturally, clear and crisp sound.
Avoiding the unnecessary noises from the room thanks to Cardioid capsule.
Maybe it's colouring a bit the high register, but it's very nice and working great for the Brass...
No signal sounds.
No environment sounds thanks to Cardioid capsule.
Robust spider and excellent other parts.


The only negative i can say is there is no have, -10 or -15db filter.
It needs to be lowered a lot the input signal on my card.

I highly recommend.
10/10

I am a Vocalist with a clear soft airy vocal I sing folksongs / Gaelic songs etc where the nuances of the play with the vocal are the main thing to carry the song.

I used to record in a studio with the Rhode NTA1 . I always sounded muffled in the recordings but "Live" I never sounded like that.

After chatting with Thomann support describing the issues iI figured that whilst the Rhode NT1A may be a grand recording mic, it clearly did not work for my vocal type. Before that, it never occurred to me that different vocal types could require different type recording microphones.

After some research I decided to give the Lewitt Pure 440 a go. I have no regrets. The Lewitt Pure his a game changer for me, My recordings are clear ad crisp all nuances are there. I would buy it 100 times again.

It may not be for everyone but it works very well for my vocal and for what I do :)

I haven't used my old microphone since I got this one! Right away I noticed a more clear natural quality from the sound, and it feels super solid and well built. Has a nice transparent but original touch to the sound, and I really love how the high frequencies sound. I use it in the studio mostly for vocals, and I'm impressed with the quality, especially for the price I don't think you can beat the 440! I chose this one over the 441 since i didn't wan't any of the polar patterns, keep it simple, but I do kind of wish I had the options now, just for the odd time to experiment with. It was my first time using a Lewitt mic though, and I just wanted to hear them for myself without spending too much. I'm a big fan, definitely going to buy one of their higher end ones eventually.

This mic is CRISP, sturdy and so versatile!

I've been using it for a while now and I can say it's a great all rounder. I've been micing guitar cabinet, vocals, SFX, and cello with great success. It's pretty cheap for what you get and definitely worth the buck.
On the crispness, it can sometimes be a tad bit overwhelming but nothing a small 16k dip in the eq can't fix. I'd rather have to round my sound in post than crisp it up.
On the build quality, this feels nearly as tanky as an sm57/8. Totally something to bring on stage to mic your amps, tho contrary to the Cuban, it might not survive being used as a wheel stopper ^^'

All in all it's become my default mic, my trusty default mic.