A few years ago, mesh heads joined the ranks of natural skins and their modern Mylar counterparts. Originally designed to give electronic drummers a more natural playing feel, their uses have significantly expanded recently. We can think of three main applications.
Firstly, they are used on E-Drums. Many E-Drum sets no longer use full rubber pads but short shells with a centrally mounted trigger. The mesh head is mounted over this, almost like on an acoustic drum shell. When you strike it, the trigger processes the impulse and sends it to the E-Drum module. With intensive use or hard playing, these mesh heads can wear out. If you see plastic threads breaking or the material getting dented, it’s time to replace the head.
Since mesh heads don’t affect the sound, the focus here is on feel and durability. Most drummers use double-ply versions on their E-Drum pads, as they feel more realistic and last longer. Single-ply mesh heads, on the other hand, have more bounce.
The second use for mesh heads is on acoustic snares, toms, and bass drums with additional triggers and a control unit. Here, the mesh head replaces the regular drumhead, resulting in a significant reduction of the natural drum sound. Again, double-ply mesh heads are preferred for their durability under heavy playing.
Beyond E-Drums or pad sets, a new form of quiet drumming has emerged in recent years: outfitting an acoustic kit with regular mesh heads or special silent heads. This allows you to keep the typical ergonomics and movements of your regular drum kit while making your practice much more neighbor-friendly. Manufacturers have recognized this and now offer specially designed mesh heads aimed at preserving the acoustic drum sound, just much quieter. Special silent cymbals maintain the natural volume balance and are even available in sets with mesh heads.