With our cookies we would like to offer you the best shopping experience possible with everything that goes with it. This includes, for example, suitable offers, personalized ads and remembering preferences. If this is okay with you, simply agree to the use of cookies for preferences, statistics and marketing by clicking on "Alright!" (show all). You can withdraw your consent at anytime via the cookie settings (here)
Note: To prevent ratings from being based on hearsay, smattering or surreptitious advertising we only allow ratings from real users on our website, who have bought the equipment from us.
After logging in you will also find all items you can rate under rate products in the customer centre.
My analogue mixing desk I use for live stuff only has Jack outputs for the aux sends, but I like to have the versatility to be able to connect my monitors at different lengths with out having to have giant Jack - Jack leads that may or may not get used. Converting to XLR means that I can use the XLRs that I already have with me and if I need the extra length I can connect some together or use the slightly longer ones. Where as with Jack - Jack leads, if your monitor was 10m away you'd need at least a 10m long lead. If it had to twist and turn around a stage full of stuff, then you'd need a longer one. I'd like to point out at this point that I only have a small rig and not a lot of transport space, thus the need for these patch/converter leads. If you're in a similar mind frame as me and just prefer everything being XLR then this is the way to go.
quality
0
0
Report
Report
K
does the job as it should
Komoy 16.03.2021
Use: as a patch bay connecting my vision mixer and analog compressor
Pros: perfectly sized for my homestudio, does the job you expect it to do.