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RME Fireface UFX III

10

USB 3.0 Audio Interface

  • 188-Channel, 24-bit / 192kHz AD/DA converter
  • DURec (Direct USB Recording)
  • SteadyClock FS
  • MADI I/O (64 channels)
  • TotalMix FX
  • Built-in DSP
  • +48V phantom power
  • TFT display
  • AKM chips (AK5574 AD / AK4490 DA converters)
  • DC-coupled analogue outputs
  • Lock keys
  • Remap keys
  • USB 3 Class Compliant
  • Construction: 19" / 1 U
  • Dimensions (W x H x D): 483 x 44 x 210 mm
  • Weight: 2.8 kg
  • Expandable with optional RME ARC remote control (not included)

Connections

  • 4 Mic/Line inputs: XLR/jack 6.3 mm combo
  • 8 Line inputs: 6.3 mm jack balanced
  • 2 Line outputs: XLR
  • 6 Line outputs: 6.3 mm jack balanced
  • 2 Stereo headphone outputs: 6.3 mm jack
  • 2 Optical inputs and outputs ADAT / S/PDIF
  • AES input and output XLR
  • Word clock input and output BNC
  • MADI input and output
  • 2 MIDI inputs and outputs
  • Remote input for optional RME ARC
  • USB on the front
Available since March 2023
Item number 563014
Sales Unit 1 piece(s)
Recording / Playback Channels 94x94
Number of Mic Inputs 4
Number of Line Inputs 8
Instrument Inputs 4
Number of Line Outs 8
Headphone Outs 2
Phantom power Yes
Number of S/PDIF Connectors 2
Number of ADAT Connectors 2
Numer of AES/EBU Connectors 1
Number of MADI Connectors 1
Ethernet 0
Other Connectors USB
MIDI interface Yes
Word Clock 1xIn, 1xOut
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 3.0
Width in mm 483 mm
Depth in mm 210 mm
Height in mm 44 mm
Connection Format USB port Type B
Zero latency monitoring 1
B-Stock from 7.799 AED available
8.444 AED 2.184,03 €
Plus 269 AED shipping
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
In stock
In stock

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A high-performance USB audio interface

The Fireface UFX III is a high-quality audio interface that represents the third generation of RME's flagship model and includes a range of complex routing options as well as internal DSP effects such as EQ, compression, and reverb. This interface is the first to support USB 3.0 (class compliant), and users thus have access to all 94 inputs and outputs without the need for driver installation. The front panel features four high-performance Neutrik inputs in a combined XLR/TRS format for microphone and instrument signals (such as electric guitars). The Fireface UFX III can be integrated into any audio network via its ADAT, AES, and SPDIF connections, and the integrated DURec (direct USB recording) technology allows recordings to be made directly to a USB stick without using a computer, all of which makes this a flexible and high-performance audio interface that is especially suitable for professional live and studio applications.

Flexible routing options

In addition to its four combo sockets, which have a gain range of 75dB each, the front panel of the RME Fireface UFX III also houses a MIDI input and MIDI output, both in five-pole DIN socket format, as well as two low-impedance headphone outputs. The device's high-resolution TFT display, which also provides precise information as to the channel gain level at all times, is located on the right of the front panel and provides access to all of the various settings. The different menus can be called up using the four quick select buttons to the right of the volume dial, and both setting adjustments and complex routing can be carried out via the TotalMix software. The rear panel of the Fireface UFX III in turn is home to eight balanced line-level inputs and eight balanced line-level outputs (all in 6.3mm jack format), an AES/EBU input/output, two ADAT inputs and outputs, an additional MIDI input and MIDI output, and an input and output for word clock signals, all of which makes this interface ideally equipped for virtually any recording situation.

RME Fireface UFX III USB audio interface, front view

Wireless control on demand

The RME Fireface UFX III, which supports sample rates of up to 192kHz and employs RME's proprietary Steady Clock FS technology for maximum jitter suppression, is a suitable choice for anyone looking for a high-quality and professional solution for recording and monitoring. Thanks to its in-built DSP chip, the Fireface UFX III also helps to optimise both recording and monitoring through the use of equalisers and dynamic processors, and the interface can be operated via PC or Mac using the RME TotalMix software or via an iPad with the RME TotalMix FX app. Wireless operation is also possible, however, using an optional ARC USB remote control - perfect for live applications and studio sessions where the musicians pull double duty as sound engineers.

Connections on the RME Fireface UFX III USB audio interface
MIDI interface on the RME Fireface UFX III

About RME

RME is a brand of Audio AG based in Haimhausen near Munich, Germany. It enjoys a worldwide reputation and is especially known for offering support for all users of any platform thanks to cross-platform connectivity between Windows and Mac OS via various interface formats. An extensive repertoire of audio interfaces, converters and microphone preamps, all based on innovative and extremely powerful core technologies, offer optimum performance to all RME users. This explains why RME's devices are used in a wide range of applications all over the world. From recording studios and theatres to broadcasting companies and scientific institutions, many users rely on the quality of RME products.

Complex routing made easy

The RME Fireface UFX III's USB 3.0 interface allows data to be directly recorded to and played back from a USB stick, and users who wish to integrate the interface into a fixed installation can also transfer multi-channel data from a DVD player using the SPDIF connection (when the "SPDIF Out" option is selected in the interface's menu, the software will transfer the non-decoded digital multi-channel data stream to the Fireface UFX III). The TotalMix software can be used to route signals to the interface's physical outputs if desired, and the user can also create independent bus mixes for the purpose of complex signal routing and headphone monitoring. The Fireface UFX III's Auto Level function, which automatically determines the optimum input gain level, will prove immensely helpful here. Those who wish to can also go a step further can do so with RME's DIGICheck software for Mac and Windows, which allows the precise analysis of audio data streams.

10 Customer ratings

4.9 / 5

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6 Reviews

M
RME top notch quality!
Marco4192 30.05.2024
The RME Fireface UFX III is an outstanding audio interface that delivers exceptional performance and versatility. With its high-quality preamps, ultra-low latency, and extensive connectivity options, it meets the demands of any professional audio setup. The build quality is robust, ensuring durability and reliability in various environments. Additionally, the TotalMix FX software offers comprehensive control over routing and effects, making the interface incredibly user-friendly. Overall, the Fireface UFX III is a top-tier choice for anyone seeking pristine audio quality and unparalleled functionality. Highly recommended!
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Würdiges update
Arambow 07.04.2023
Ich habe mir das UFX III als update für mein in die Jahre gekommenes Fireface 800 gekauft. Es läuft immer noch, aber ist ein Problem, dass Firewire ein auslaufender standard ist. Meine Ziele waren folgende:

- usb interface für mobile Aufnahmen
- totalmix mit effekten
- "digitale fernsteuerbare preamps"
- evt. Bessere wandler

Ich muss sagen, dass Fireface hat meiner Erwartungen übertroffen. Die Wandler sind noch einmal wesentlich detaillierter als beim Fireface 800 (wir reden hier aber auch von etwa 15 Jahren zwischen den beiden Modellen).

Treiber sind stabil wie eh und je. Die neuen Möglichkeiten im Totalmix FX, liebe ich jetzt schon fürs monitoring in den ersten Aufnahme Sessions. Und USB ist eine echte erleichterung.

Alles im allen wurden meine Erwartungen übertroffen und ich freue mich auf die nächsten Jahre mit dem neuen Fireface.
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DT
The best that's available
Dr. T. 16.09.2023
It's hard to describe in words how much better the sound is than the UCX II, and that was nothing. RME Audio has gone all out this time, I've had it for almost 3 months as I write this, I sold a UFX II because of it. For me it is mainly Intstrument channels 9/10 & 10/11 that are in heavy use and used for synth input. They never sounded so good, the DURec is in constant use standalone alongside an ARC USB...I don't know when I last turned on the computer because of it, maybe when I saved the settings...
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sy
de Motu à RME
spoon yeti 15.01.2024
Bien qu’encore peu exploitée et me servant surtout de mes préamplis externes , je note un upgrade depuis ma 828x vieillissante : précision du son, qualité de fabrication, fonctionnalités complètes et Totalmix fait vraiment la différence comparée au Cuemix de la Motu !
Je n’ai pas encore trouvé cependant la stabilité parfaite entre la carte et mon système Mac Os Big Sur et DP11. Le rodage sans doute mais
l'installation des driver/flashupdate était quand même plus simple avec Motu plus adaptée aux Mac.
Un truc un peu agaçant aussi c’est que la carte n’est pas reconnue si je l’allume après l’ordinateur.... A part ça Nickel !
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