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SPL Phonitor 3

1

Headphone Amplifier and Monitor Controller with 120 V Technology

  • 3 Analogue stereo inputs: 3x XLR stereo
  • Output switch for easy switching from headphone to speaker playback and mute function in the centre position
  • Phonitor matrix with crossfeed, speaker angle and centre level
  • Mono/Stereo
  • Laterality control: shifts the stereo image to the left or right to centre the stereo centre on the listening side
  • Solo L/R
  • Phase inversion for L and R
  • L/R Swap
  • 120 V technology
  • Headphone output can be boosted by 12 dB via DIP switch on the rear panel
  • Phonitor matrix can be output to preamp out
  • Complete monitor controller
  • Output power headphone output (1 kHz, 1 % THD, 250 Ohm): 2 x 5 W
  • Output power headphone output (1 kHz, 1 % THD, 32 Ohm): 2 x 1 W
  • Frequency range: 10 - 100,000 Hz
  • Dynamic range: 134.5 dB
  • Dimensions (W x H x D): 278 x 100 x 300 mm
  • Weight: 3.9 kg
Available since April 2024
Item number 590347
Sales Unit 1 piece(s)
Number of stereo channels 1
Output Level Adjustment Per Channel Yes
Amount Of Inputs 3
Rack format No
Number Of Monitoring Outputs (Stereo) 1
Headphone connection 1
Built-in AD / DA converter 1
Level Meter 1
Number of 2 track inputs 6
Design Desktop
Dimensions 278 x 100 x 300
Weight 3,9 kg
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B-Stock from 5.039 AED available
5.855 AED 1.511,76 €
Plus 269 AED shipping
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
Available at short notice (usually 2-5 days)
Available at short notice (usually 2-5 days)

This product has been ordered and is expected to arrives in the next few days.

Standard Delivery Times
1

1 Customer ratings

5 / 5

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1 Review

s
Great headphone amp
sammorris 23.05.2024
Got this as an upgrade from the built in headphone amp on my Apollo Twin X. For me the improvement is quite clear, however I have also tested with a producer friend of mine who struggled to hear a difference, with his own and my headphones. Possibly the difference is less noticeable due to its lower than average impedance for studio headphones on the MM-500s. For me, I can head a clear improvement in transient response across all frequencies, but a great improvement in clarity of the hi mids to high frequencies. I was instantly able to hear problem frequencies in these regions quicker when mixing.

In terms of the crossfeed functions, they’re not bad, it’s nice to have it as an option, especially since it’s analog and latency free. Compared to gHz CanOpener, I’d probably pick that, as it feels a bit more like a speaker setup. But in truth, I think it’s better to leave any crossfeed off altogether, as I hear most detail this way, especially with hard panned elements. I believe the MM-500s are staged in a way that is supposed to feel a bit more natural anyway.

Haven’t had the chance to compare to any other headphone amps, but honestly I’m happy. I’ve always felt the top end of my headphones was a little bit blurry, but now I feel like I can really dial it in.

In terms of negatives, it’s a bit big, takes up a fair bit of space on a desk. Wouldn’t want to transport it unless I have to. Crossfeed could be better but don’t think I’m going to use it too much anyway. VUs look great.
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