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Universal Audio Sphere LX Modeling Microphone

16

Microphone Modelling System

  • Large-diaphragm condenser microphone for reproducing the sound characteristics of 38 classic ribbon, condenser and dynamic microphones
  • 2.54 cm Double-diaphragm design (gold-plated)
  • Dual mode for different microphone combinations
  • Microphone type, polar pattern and other characteristics can be changed even after the recording has been made
  • Sound of different microphones can be auditioned
  • Reduce crosstalk, unwanted room colouration and other common recording problems using IsoSphere and Presets
  • Attenuation options: -10db and -20dB
  • Requires 48 V phantom power
  • Polar pattern: Variable Dual Output
  • Frequency range: 20 - 20,000 Hz
  • Output impedance: 200 Ohm
  • Max. sound pressure level: 145 dB SPL, 1% THD (with pad)
  • Dynamic range: 135 dB
  • Connection: XLR-m (5-pin)
  • Dimensions (L x Ø): 195 x 50 mm
  • Weight: 545 g
  • Supported plug-in formats UAD, AAX Native, VST2, VST3, Audio Units (Mac only)
  • Supported operating systems Native (AAX, VST and AU): Mac OSX 10.15 and higher, Windows 10 and 11 (64-bit)
  • Supported operating systems Apollo interfaces and UAD-2 hardware (AAX, VST, AU and RTAS): Mac OSX 10.15 and higher, Windows 10 and 11.
  • System requirements: Internet connection, compatible plug-in host application (DAW software) with support for AAX, VST2, VST3, AU or UAD, UA Connect for managing UADx plug-ins, two mic preamps with phantom power.
  • Incl. microphone holder, 3 m split cable (5-pin XLR to 3-pin XLR) and a case
Available since January 2023
Item number 557334
Sales Unit 1 piece(s)
Tube No
Switchable Polar Pattern Yes
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut No
Pad No
shockmount included No
USB Microphone No
3.456 AED 873,11 €
Plus 277 AED shipping
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
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20 microphones in one

The Universal Audio Sphere LX is a modelling microphone capable of reproducing the tonal characteristics of 20 classic microphones of varying architectures, including renowned studio standards and rare vintage models such as the Neumann U47 and AKG C12. Users can fine-tune key parameters, such as polar pattern settings, even during post-production. The Sphere LX offers the unique capability to blend the tonal characteristics of two different models and naturally minimise unwanted acoustic reflections. The included Y-cable connects the microphone to two inputs on an audio interface, enabling its advanced modelling features. Compared to the DLX model, the LX offers a streamlined profile and specialises in mono recording applications.

Grille of the Universal Audio Sphere LX modelling microphone

Renowned low-latency monitoring

As a modelling microphone, the Universal Audio Sphere LX works in tandem with its dedicated Sphere plugin, which applies advanced DSP processing to shape the capsule's response and achieve the characteristics of vintage microphones. When paired with a Universal Audio Apollo interface, the modelling process is entirely handled by the DSP engine, virtually eliminating latency and CPU load on the system. Additionally, the Sphere LX is compatible with any audio interface featuring two microphone inputs with phantom power. In such setups, the Sphere plugin can be accessed as an effect within a DAW, utilising the host computer's processing power to apply the modelling effects in real time with minimal latency.

XLR connector of the Universal Audio Sphere LX modelling microphone

Versatile and professional

Offering an extensive collection of 20 microphone emulations, the Universal Audio Sphere LX specialises in capturing both vocals and instruments with equal precision. Whether in a professional recording studio or mobile recording environment, its low self-noise and excellent dynamic range deliver remarkable accuracy for both musical and spoken applications. Apollo interface users will also benefit from Unison preamp emulation, which includes highly realistic emulations of vintage hardware such as the Telefunken ELA M 251 and Neve 1073 preamp - a great addition for professional producers and engineers seeking further creative options without compromising on performance in the studio.

Universal Audio Sphere LX modelling microphone

About Universal Audio

Few manufacturers can draw upon a wealth of audio engineering experience comparable to that of Universal Audio. The company's founding father Bill Putnam, along with his friend Les Paul, have an admirable reputation as trend-setting music producers and developers of legendary analogue studio technology. Putnam recorded Chuck Berry, Muddy Waters, and Sarah Vaughan, and was Duke Ellington's favourite sound engineer. He developed the famous 1176 Peak Limiter and distributed the Teletronix LA-2A level amplifier. This earned him a posthumous "Technical Grammy Award" in 2000. In 1999, Putnam's sons, Bill Putnam Jr. and James Putnam, re-founded Universal Audio, transferring their father's analogue vision and craftsmanship to the digital music world. Their product range includes audio interfaces, dedicated DSP farms, and a variety of plug-ins, as well as analogue hardware devices.

Precision and reliability

The Universal Audio Sphere LX emulates a wide variety of microphone types, including large and small-diaphragm condensers, tube and solid-state models, dynamic microphones, and even ribbon microphones. The dual-mode feature allows users to blend two different mic models, opening up a host of creative avenues and innovative recording techniques. Whether capturing vocals, instruments, or ambient room tones, the Sphere LX ensures a highly detailed and natural sound reproduction. Unlike the Sphere DLX, the LX is primarily designed for mono recording applications, focusing on a simplified workflow without stereo capabilities.

16 Customer ratings

5 / 5

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13 Reviews

LJ
Very hight quality product
Lorenzo Jr. 01.02.2024
I'm very impress with this mic. The emulations of all the famous mics it's well done and I do expected this, but the mic it self it's what surprised me the most. On is own without the emulation this mic sound amazing, obviously it's flat but very detailed and clear. It's an hight quality mic, very well made. Looks, feel and sound great.
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X
Good
X_X_X_X 04.09.2024
Not bad mic, but i think the bigger one is better
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s
Großartiges Produkt
soundtank 08.03.2023
Natürlich gibt es immer etwas besseres, aber für meine Zwecke ist es mehr als perfekt :)
Die Integration in mein Apollo System klappte auch reibungslos. Vom Sound des eigentliches Mikros bin ich schon sehr begeistert. Die anderen Mikrofone, die zur Auswahl stehen kenne ich, bis auf ein paar leider nicht im Original. Aber ich finde die, die ich bisher ausprobiert habe, wirklich super.
Ich bin total begeistert!
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Julien389 28.09.2023
Fait ce qui est promis, faible bruit, bon son rien à redire
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