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I got the Julianna to use with synths. I mainly use it with Dreadbox Nymphes and Arturia Microbrute which have mono outputs and I love how it widens everything so pleasantly but it doesn't loose any of its energy even in mono mixdown. The fact that it can do mono to mono, mono to stereo, stereo to stereo makes it really versatile. The effect can be subtle or wild. The feature that really got me by surprise was the tap tempo, it's super useful, especially if used with the random LFO wave. I love the hidden LFO drift function, it sounds lovely on pads and strings.
The lag knob and the DCV knob are also game changers, you can make really unique chorus sounds.
I have never used it on guitar but we tried it on electric bass and it was delicious on slow tunes with slow rates, but that's obviously a matter of taste.
It's really easy to dial in a nice tone but the hidden features can offer way more complex sounds, it's up to you.
It's really solid in terms of construction, in its metal case with sturdy knobs.
I am really satisfied with it, the only things that bugs me a little is the bump on volume when you turn it on, but it's not that big of a deal.
I got the Julianna to use with synths. I mainly use it with Dreadbox Nymphes and Arturia Microbrute which have mono outputs and I love how it widens everything so pleasantly but it doesn't loose any of its energy even in mono mixdown. The fact that it can do mono to mono, mono to stereo, stereo to stereo makes it really versatile. The effect can be subtle or wild. The feature that really got me by surprise was the tap tempo, it's super useful, especially if used with the random LFO wave. I love the hidden LFO drift function, it sounds lovely on pads and
I got the Julianna to use with synths. I mainly use it with Dreadbox Nymphes and Arturia Microbrute which have mono outputs and I love how it widens everything so pleasantly but it doesn't loose any of its energy even in mono mixdown. The fact that it can do mono to mono, mono to stereo, stereo to stereo makes it really versatile. The effect can be subtle or wild. The feature that really got me by surprise was the tap tempo, it's super useful, especially if used with the random LFO wave. I love the hidden LFO drift function, it sounds lovely on pads and strings.
The lag knob and the DCV knob are also game changers, you can make really unique chorus sounds.
I have never used it on guitar but we tried it on electric bass and it was delicious on slow tunes with slow rates, but that's obviously a matter of taste.
It's really easy to dial in a nice tone but the hidden features can offer way more complex sounds, it's up to you.
It's really solid in terms of construction, in its metal case with sturdy knobs.
I am really satisfied with it, the only things that bugs me a little is the bump on volume when you turn it on, but it's not that big of a deal.
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Nice analog modulation
sinaptica 10.04.2023
I use this with synths. Put anything digital trough this to tame it and make it more lively.
Eg: I love my hydrasynth. But I use a digital recorder and a digital mixer and I love it more when it runs through this pedal. It just tame the high end in a very pleasant and analog way that's difficult to describe.
It can go from very subtle to an almost vibrato with pitchshift.
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Absolutely perfect
Its sick 09.03.2021
Its just amazing, price, build quality, knobs are sturdy and turn nicely.
switches are nice and tactile, stereo capability has made me move it constantly from synth to guitar to computer.
One could call this a "sick" pedal.
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Perfect Chorus
Handsome Stephen 07.11.2024
This pedal is the perfect chorus and Vibrato pedal. I used it with my bass and I don't think there's any feature that I would want to improve it. It's a simple pedal to use but it's also easy to get a wide range of different sounds from subtle to extreme.
