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Fender AM Pro II Jazzmaster 3TSB

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Electric Guitar

  • Body: Alder
  • Bolt-on neck: Maple
  • Fretboard: Rosewood
  • Neck profile: Deep C
  • Scale: 648 mm (25.5")
  • Fretboard radius: 241 mm (9.5")
  • Nut width: 42.8 mm (1.69")
  • 22 Narrow Tall frets
  • Pickups: 2 V-Mod II single coils
  • 1 Volume control with treble bleed
  • 1 Tone control
  • 3-Way switch
  • Bridge with Panorama tremolo system
  • Nickel hardware
  • Ex-factory stringing: Fender 250L NPS .009" - .042" (article no. 133191)
  • Colour: 3-Colour sunburst
  • Case included
  • Made in USA
Available since October 2020
Item number 500911
Sales Unit 1 piece(s)
Colour Sunburst
Soundboard Alder
Neck Maple
Fretboard Rosewood
Frets 22
Scale 648 mm
Pickup System SS
Tremolo Yes
Incl. Case Yes
Incl. Gigbag No
Design Jazzmaster
Top None
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6.111 AED 1.621,01 €
Plus 264 AED shipping
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
In stock
1

8 Customer ratings

4.8 / 5
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6 Reviews

p
Amazing guitar
pepegleznovoa 07.06.2021
I have always loved the sound of jazzmasters. They are highly versatile and able to provide very different tones. I have owned two jazzmaster previously, but the new American Pro II is the top one; no doubt about it. This guitar has surprised me a lot, because it includes many new features that make it even more versatil than previous models. It has become my favorite guitar (the other members of my band also love it as much as I do).
I have always loved the sound of jazzmasters. They are highly versatile and able to provide very different tones. I have owned two jazzmaster previously, but the new American Pro II is the top one; no doubt about it. This guitar has surprised me a lot, because it includes many new features that make it even more versatil than previous models. It has become my favorite
I have always loved the sound of jazzmasters. They are highly versatile and able to provide very different tones. I have owned two jazzmaster previously, but the new American Pro II is the top one; no doubt about it. This guitar has surprised me a lot, because it includes many new features that make it even more versatil than previous models. It has become my favorite guitar (the other members of my band also love it as much as I do).
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P
Nice looks, nice guitar but comes with flaws
Philliewillie 23.10.2024
Lookwise this guitar is amasing! Very nice finish, i think Jazzmasters in sunburst-finish are one of the greatest looking guitars out there. However the dots on the fretboard look kinda cheap to me? They’re not al perfect circles and the ‘white dots’ look just painted.. i’m not sure about them anyway. Apart from that, the rosewood is very beautifull. I had to resend one guitar, the first one could’n stay in tune for more then 3 minutes and the string allignment was terrible. At this price range, i think that is absolutely terrible. Luckily, the second guitar did not dissapoint. I like the modern feature of changing things up with the rythm-circuit and choosing for making the pick-ups act like a wide range humbucker, i own a Jaguar and never use the classic rythm circuit anyway (who does?). So this gives some extra options wich is very nice, it doesn’t sound too great right now but i think that’s more of a pick-up problem. Speaking of wich, i’m not a big fan of the pick ups (luckily it has the push-push). I mostly play the guitar now in middle position with the push-push activated. It sounds great then, also the bridge with a bit of distortion sounds good. But they miss hard imo with the neck position pick-up.. it’s just sounds too damn hot, there is no clean clarity anymore and it sounds dull to my ears. Like a cheap p-90 almost, but even p-90’s have more clarity. It might just be me being used to the sound of Jaguars and Tele’s but that neck pick-up probably will go. So to me, the guitar is all in all build great and an absolute looker but i think lot’s of people hoping for a classic sounding Jazzmaster will be overall dissapointed. Or, you’ll need to want to swap out the pick ups like i mostlikely will do.
Lookwise this guitar is amasing! Very nice finish, i think Jazzmasters in sunburst-finish are one of the greatest looking guitars out there. However the dots on the fretboard look kinda cheap to me? They’re not al perfect circles and the ‘white dots’ look just painted.. i’m not sure about them anyway. Apart from that, the rosewood is very beautifull. I had to resend
Lookwise this guitar is amasing! Very nice finish, i think Jazzmasters in sunburst-finish are one of the greatest looking guitars out there. However the dots on the fretboard look kinda cheap to me? They’re not al perfect circles and the ‘white dots’ look just painted.. i’m not sure about them anyway. Apart from that, the rosewood is very beautifull. I had to resend one guitar, the first one could’n stay in tune for more then 3 minutes and the string allignment was terrible. At this price range, i think that is absolutely terrible. Luckily, the second guitar did not dissapoint. I like the modern feature of changing things up with the rythm-circuit and choosing for making the pick-ups act like a wide range humbucker, i own a Jaguar and never use the classic rythm circuit anyway (who does?). So this gives some extra options wich is very nice, it doesn’t sound too great right now but i think that’s more of a pick-up problem. Speaking of wich, i’m not a big fan of the pick ups (luckily it has the push-push). I mostly play the guitar now in middle position with the push-push activated. It sounds great then, also the bridge with a bit of distortion sounds good. But they miss hard imo with the neck position pick-up.. it’s just sounds too damn hot, there is no clean clarity anymore and it sounds dull to my ears. Like a cheap p-90 almost, but even p-90’s have more clarity. It might just be me being used to the sound of Jaguars and Tele’s but that neck pick-up probably will go. So to me, the guitar is all in all build great and an absolute looker but i think lot’s of people hoping for a classic sounding Jazzmaster will be overall dissapointed. Or, you’ll need to want to swap out the pick ups like i mostlikely will do.
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B
Dream guitar
Bodymaster 06.07.2022
This is my first high end guitar. I've always wanted a Jazzmaster, but they had always been out of my price range. This guitar did not disappoint.

It plays flawlessly, required no set up on arrival, and sounds wonderful. I couldn't be happier with it and I'll keep it to my dying day.

As this was my first Jazzmaster it took me a while to get a hang of the two -circuit system, but once I did a world of possibilities opened up. A very versatile guitar which is a pleasure to play no matter what that may be, I can understand why they are considered classics.
This is my first high end guitar. I've always wanted a Jazzmaster, but they had always been out of my price range. This guitar did not disappoint.

It plays flawlessly, required no set up on arrival, and sounds wonderful. I couldn't be happier with it and I'll keep it to my dying day.

As this was my first Jazzmaster it took me a while to get a hang of
This is my first high end guitar. I've always wanted a Jazzmaster, but they had always been out of my price range. This guitar did not disappoint.

It plays flawlessly, required no set up on arrival, and sounds wonderful. I couldn't be happier with it and I'll keep it to my dying day.

As this was my first Jazzmaster it took me a while to get a hang of the two -circuit system, but once I did a world of possibilities opened up. A very versatile guitar which is a pleasure to play no matter what that may be, I can understand why they are considered classics.
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B
Jazzmaster moderne presque parfaite Almost perfect modern Jazzmaster
Batcat 13.02.2024
J'ai une Jazzmaster Vintera 60s avec les caractéristiques traditionnelles vintage que j'aime beaucoup et je souhaitais en complément une Jazzmaster dotée de caractéristiques différentes plus modernes : le manche satiné un peu plus large avec un rayon de 9,5'', le talon du manche sculpté, les micros en série du circuit "rhythm" , la fonction Tap du micro chevalet, le Treble Bleed du volume, le chevalet type Mustang modernisé, le vibrato Panorama ou le réglage du truss-rod sur la tête répondent à ces attentes et apportent des possibilités inédites.

Le son des micros conserve une tonalité Jazzmaster et gagne en polyvalence ce qu'il perd légèrement en classicisme. En effet, le son est articulé et conserve sa clarté en distortion. Par ailleurs, tous les contrôles sont efficaces et progressifs.

La qualité de construction est superbe, même s'il subsiste de très légères différences de niveau sur trois frettes.
De la même façon, les bords de touche arrondis sont globalement satisfaisants mais le traitement n'est pas parfait.
Les gorges du sillet étaient également un peu trop hautes.

La seule réelle critique est ce léger défaut de niveau des frettes qui est regrettable à ce prix, car il cause une frise gênante.
Néanmoins, cette frise du réglage d'usine est désormais sous contrôle après quelques ajustements et un tirant 10-46, avec au final une action de 1,75 mm pour le mi grave.
Nul besoin d'utiliser le système micro-tilt ou de caler le manche, comme j'ai dû le faire avec ma Vintera 60s, car le chevalet est déjà suffisamment haut pour que la pression des cordes sur le chevalet permette la stabilité du réglage approprié et du son.

Il paraîtrait que des gros tirants de cordes seraient problématiques avec le nouveau vibrato Panorama. Cependant, contrairement à certaines Jazzmaster, cette version modernisée ne nécessite pas du tout de gros tirants de cordes, mais c'est à creuser si vous aimez ceux-ci.

Hormis ces bémols, la finition de la guitare est magnifique et l'étui deluxe moulé est de très bonne qualité.

J'adore cette Jazzmaster moderne. Le confort de jeu, le son et les fonctionnalités me conviennent parfaitement et cela correspond exactement à ce que je recherchais.

Les points positifs :
+ Caractéristiques modernes qui résolvent les réglages/ajustements délicats parfois nécessaires avec une Jazzmaster vintage.
+ Polyvalence et qualité de l'électronique et du son.
+ Confort de jeu excellent.
+ Finition magnifique.

Les points négatifs :
- Le nivellement des frettes n'est pas parfait.
- Les bords de touche arrondis ne sont pas parfaits.

En conclusion, certes cette Jazzmaster moderne n'est pas parfaite, mais presque, à mon avis. C'est un plaisir particulier.

Le service Thomann est apprécié.
J'ai une Jazzmaster Vintera 60s avec les caractéristiques traditionnelles vintage que j'aime beaucoup et je souhaitais en complément une Jazzmaster dotée de caractéristiques différentes plus modernes : le manche satiné un peu plus large avec un rayon de 9,5'', le talon du manche sculpté, les micros en série du circuit "rhythm" , la fonction Tap du micro chevalet, le
J'ai une Jazzmaster Vintera 60s avec les caractéristiques traditionnelles vintage que j'aime beaucoup et je souhaitais en complément une Jazzmaster dotée de caractéristiques différentes plus modernes : le manche satiné un peu plus large avec un rayon de 9,5'', le talon du manche sculpté, les micros en série du circuit "rhythm" , la fonction Tap du micro chevalet, le Treble Bleed du volume, le chevalet type Mustang modernisé, le vibrato Panorama ou le réglage du truss-rod sur la tête répondent à ces attentes et apportent des possibilités inédites.

Le son des micros conserve une tonalité Jazzmaster et gagne en polyvalence ce qu'il perd légèrement en classicisme. En effet, le son est articulé et conserve sa clarté en distortion. Par ailleurs, tous les contrôles sont efficaces et progressifs.

La qualité de construction est superbe, même s'il subsiste de très légères différences de niveau sur trois frettes.
De la même façon, les bords de touche arrondis sont globalement satisfaisants mais le traitement n'est pas parfait.
Les gorges du sillet étaient également un peu trop hautes.

La seule réelle critique est ce léger défaut de niveau des frettes qui est regrettable à ce prix, car il cause une frise gênante.
Néanmoins, cette frise du réglage d'usine est désormais sous contrôle après quelques ajustements et un tirant 10-46, avec au final une action de 1,75 mm pour le mi grave.
Nul besoin d'utiliser le système micro-tilt ou de caler le manche, comme j'ai dû le faire avec ma Vintera 60s, car le chevalet est déjà suffisamment haut pour que la pression des cordes sur le chevalet permette la stabilité du réglage approprié et du son.

Il paraîtrait que des gros tirants de cordes seraient problématiques avec le nouveau vibrato Panorama. Cependant, contrairement à certaines Jazzmaster, cette version modernisée ne nécessite pas du tout de gros tirants de cordes, mais c'est à creuser si vous aimez ceux-ci.

Hormis ces bémols, la finition de la guitare est magnifique et l'étui deluxe moulé est de très bonne qualité.

J'adore cette Jazzmaster moderne. Le confort de jeu, le son et les fonctionnalités me conviennent parfaitement et cela correspond exactement à ce que je recherchais.

Les points positifs :
+ Caractéristiques modernes qui résolvent les réglages/ajustements délicats parfois nécessaires avec une Jazzmaster vintage.
+ Polyvalence et qualité de l'électronique et du son.
+ Confort de jeu excellent.
+ Finition magnifique.

Les points négatifs :
- Le nivellement des frettes n'est pas parfait.
- Les bords de touche arrondis ne sont pas parfaits.

En conclusion, certes cette Jazzmaster moderne n'est pas parfaite, mais presque, à mon avis. C'est un plaisir particulier.

Le service Thomann est apprécié.
I have a Jazzmaster Vintera 60s with the traditional vintage characteristics that I really like and I also wanted a Jazzmaster with different, more modern characteristics: the slightly wider satin neck with a radius of 9.5'', the heel of the sculpted neck, the serial microphones of the "rhythm" circuit, the Tap function of the bridge pickup, the Treble Bleed of the volume, the modernized Mustang type bridge, the Panorama vibrato or the truss-rod adjustment on the head meet these expectations and bring new possibilities. The sound of the microphones retains a Jazzmaster tone and gains in versatility what it loses slightly in classicism. Indeed, the sound is articulate and retains its clarity in distortion. Furthermore, all controls are effective and progressive. Build quality is superb, although there are very slight differences in level across three frets. Likewise, the rounded key edges are generally satisfactory but the processing is not perfect. The nut grooves were also a little too high. The only real criticism is this slight defect in the level of the frets which is regrettable at this price, because it causes an annoying frieze. However, this factory setting frieze is now under control after a few adjustments and a 10-46 gauge, with a final action of 1.75 mm for the low E. No need to use the micro-tilt system or wedge the neck, as I had to do with my Vintera 60s, because the bridge is already high enough that the pressure of the strings on the bridge allows the stability of the appropriate adjustment and sound. It seems that large string gauges would be problematic with the new Panorama vibrato. However, unlike some Jazzmasters, this modernized version does not require large string gauges at all, but it's worth digging if you like those. Apart from these drawbacks, the finish of the guitar is magnificent and the deluxe molded case is of very good quality. I love this modern Jazzmaster. The playing comfort, sound and features suit me perfectly and it's exactly what I was looking for. The positives: + Modern features that solve the tricky tuning/adjustments sometimes needed with a vintage Jazzmaster. + Versatility and quality of electronics and sound. + Excellent playing comfort. + Magnificent finish. The negative points: - The leveling of the frets is not perfect. - The rounded key edges are not perfect. In conclusion, certainly this modern Jazzmaster is not perfect, but almost, in my opinion. It's a special pleasure. The Thomann service is appreciated.
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