I mostly use this with two condenser mics for field recordings, but got the H-8 so that if need be, I would never be short of inputs. Whether it is for recording a live band, capturing interviews, or doing a multi-channel field recording, this thing delivers. The preamps aren't the quietest on the market, of course, but you have to keep in mind how much it costs and what it delivers - 6 independent inputs + a capsule, that can be interchanged for an additional 4 inputs, for a total of 10 (well, 12, but the two last tracks is just the entire mix in stereo)! That's impressive multitracking for such a compact and inexpensive recorder! Now, to get quiet ambiences with this thing, it is advisable to use external mics rather than the capsule, as it gets noisy pretty fast. With proper external mics, you can get very quiet ambiences that are definitely useable. I've compared this with the F6 and yes, the F6 is quieter, but it's also costs twice as much and has less inputs. It really comes down to what You need. If you're looking for the cleanest possible sound on a relative budget and don't need extensive multitracking, get the F3, it's tiny, sturdy as hell and sounds fantastic. If You need more tracks and need top tier sound, then it's the F6, otherwise, if You're on a budget, need a very very decent sound + multitracking, the H8 is unbeatable. The interface is quite clear, I like that you can adjust the levels in a couple of different ways, as the knobs aren't the most precise things, you can do it digitally, bypassing the knob altogether. Also, being able to see levels for all tracks at once is absolutely great, and you can customize how the screen behaves, how long it stays on, how bright and so on and so forth. Couple of things that I don't enjoy - the build quality. As of so far, it has held up fine, but I wouldn't want to drop it whatsoever. The plastic doesn't inspire confidence, to say the least. It feels fragile, thin, incomparable with, say the older H5, which feels like a tank. Also, when used in the open, it's very prone to catching dust and various debris in it's inputs, which point in every direction, thus I would strongly advise to get the corresponding case that Zoom makes + some rubber dummy XLR plugs for channels that aren't used. Other than that, it's absolutely fantastic, a real swiss army knife, albeit a bulky one!