To the page content

Behringer 2600 Gray Meanie

49

Semi-Modular Analogue Synthesiser

  • Special edition with gray front plate and selected components
  • Monophonic
  • 3 VCOs with adjustable pulse width
  • Oscillator 1 with outputs for sawtooth and pulse
  • Oscillators 2 and 3 with switchable oscillator synchronisation and outputs for triangle, sawtooth, sine, and pulse
  • Low pass filter with resonance and 2 switchable filter characteristics
  • Noise generator
  • Ring modulator
  • Sample & hold step
  • Preamp and Envelope follower for external signals
  • Voltage processor
  • ADSR envelopes
  • AR envelopes
  • Stereo VCA with adjustable panorama
  • Mixable mechanical spring reverb
  • Extensive modulation options are possible for oscillators and filters via predefined signal path and free wiring of all sections via patch cables (3.5 mm jack)
  • Stereo line output: 2x 6.3 mm jack
  • Stereo headphone output: 3.5 mm jack
  • Footswitch input for interval latch and portamento : 6.3 mm jack
  • MIDI In/Thru
  • USB-B port (MIDI)
  • Format: 19" / 8 U
  • Dimensions (W x H x D): 482 x 356 x 108 mm
  • Weight: 5.1 kg
  • Colour: Grey
  • Includes external power supply (12 V DC, 2000 mA)
Available since March 2021
Item number 513580
Sales Unit 1 piece(s)
Design 19"
Polyphony 1
Sound Generation Analogue
MIDI interface 1x In, 1x Thru
Storage Medium None
USB-port Yes
Effects Yes
Arpeggiator No
Number of Analog Outputs 2
Digital Output No
Display No
Optional Expansions None
Special Features Semi Modular, Mechanical Spring Reverb
Show more
1.595 AED 419,33 €
Plus 266 AED shipping
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
1

A modernised version of the semi-modular classic

The original on which Behringer’s 2600 is based was an extremely popular synthesizer when it hit the market in the 1970s and is today considered a true classic. With its semi-modular structure, duophonic mode, separate keyboard and of course its wealth of sonic possibilities, this legendary synth was ground-breaking for its time and inspired the likes of Herbie Hancock, Vince Clark, and Joe Zawinul to explore completely new possibilities of musical expression, many of which ended up in classic recordings. The Behringer 2600, a new, modernised, and compact version of the original classic, here available in a special edition with selected components and real spring reverb, was developed in collaboration with British analogue guru AMSynths and retains all the sonic capabilities of its illustrious predecessor. Each original circuit has been painstakingly recreated to contemporary standards, and its format has been reduced from the original to fit in a 19" rack. The Behringer 2600 retains all the features of the original and has added functionalities of its own, such as MIDI and dimmable LED faders. And like the original, the Behringer 2600 can be directly connected to other modular synthesizers and analogue sequencers, and thus become an integral part of a much larger and more powerful system.

Duophonic analogue synthesizer

The 2600 is a powerful analogue synthesizer with three oscillators and two switchable LFOs which can be assigned to a VCO or even used independently. The Behringer 2600 includes differential VCA inputs, an ADSR envelope section with scaling options, and other functions such as noise generators, S&H (Sample and Hold), and an assignable low-pass filter as well as an inverter option on the voltage processor. The LFO and portamento sections, which in the case of the original were located on a separate keyboard, are also integrated into the main chassis. The main signal path and the assignments of each modulation are conveniently controlled via faders, which can also be visualised via LED colour indicators. For greater flexibility, the signal flow can be modified via patch connections and expanded with external devices. Another feature of the 2600 is its Duo Voice Mode, which uses a second oscillator to play two notes simultaneously whereas the original model was exclusively monophonic. In contrast to the regular model of the Behringer 2600, the Blue Marvin and Gray Meanie models feature a real spring reverb.

An affordable replica

For most people, owning the illustrious original seemed like an unobtainable dream – until now, that is. The original units are very rarely available anymore, and when they are, they are prohibitively expensive. DIY projects do exist and crop up from time to time, but they require a lot of time and expertise to build – and also come with a high-end price tag. The Behringer 2600 offers an affordable version of the classic synth for the first time, and it can be easily acquired by small studios or taken on tour without hesitation. This versatile synthesizer will appeal mainly to musicians who are familiar with the semi-modular concept, with a view to integrating it into a larger, more complex environment. The original can be heard in many famous production recordings that span Prog Rock, Fusion, and Electronic. This modern version will also naturally suit all of those styles, and it is also a noteworthy figure in the field of sound design and SFX – the “voice” of Star Wars’ robot hero, R2-D2, being a prime example.

About Behringer

The company, which was founded in Germany by Uli Behringer and now manufactures its products in China, has been known for affordable and great-value equipment since its very first product, the Studio Exciter F. An array of mixing consoles (such as the Eurodesk MX8000), signal processors, and later sound amplification and monitoring equipment, has made it possible for countless musicians to fit out their home studios, practice rooms, and mobile PAs within budget limits that were previously unthinkable. The acquisition of other companies, including Midas, Klark Teknik, and TC Electronic, meant that new product groups were added - and also resulted in the technical expertise of these companies being incorporated into product development.

Compact rack synth

As a semi-modular synthesizer, the 2600 can play to its strengths in a modular setup by expanding on them. In the studio, it will link up perfectly with a multitrack analogue sequencer to rhythmically control not only the oscillators but also an array of other functions. The Behringer 2600 can also interact with other modular systems, thereby expanding its capabilities via additional sound and control modules. The original, though “portable”, was housed in a rather bulky and heavy “suitcase” for transport. The Behringer 2600, on the other hand, can be built into a conventional 19" transport case and easily taken to live gigs. The Behringer 2600 is also an extremely capable and expressive standalone instrument, even outside a modular context. Its flexible and clear structure allows sound and modulation patterns to be quickly and intuitively created, either directly on the main chassis or via external performance-oriented devices.

49 Customer ratings

4.8 / 5

You have to be logged in to rate products.

Note: To prevent ratings from being based on hearsay, smattering or surreptitious advertising we only allow ratings from real users on our website, who have bought the equipment from us.

After logging in you will also find all items you can rate under rate products in the customer centre.

handling

features

sound

quality

37 Reviews

M
MacBe 21.03.2021
Bought this as my first analog synth, and my first any type of modular synth, with the ambition to get more into modular/semi modular in the future. This feels like a very good starting point for that.

For the price, a spectacular device if you like that amazing analog sound, tweaking and the ability to patch. Can produce some amazing fat sounds, and the Gray Meanie version looks so mean and sexy it's ridiculous. It's a slightly brighter gray color than many pictures make it seem however. I have barely scratched the surface of what it can do, but it's a lot of fun to play with. Having all parameters available for instant tweaking makes it fun, easy and satisfying to explore new sounds. And I absolutely LOVE the fact that it's rack mountable! Thank you for that Behringer! More rack units for the people.

The biggest con I think is the build quality. It's not very bad, but flip switches in particular feel cheap and scratchy and resonate the whole metallic case in a kinda cheap sounding way. And when you flip them (or plug in patch cables) the loud pops and crackles your speakers will make lets you know it's a live electrical signal path you're messing with - so maybe not something you'd want to do during a live session or while recording.
It's also quite easy to get clicks from the envelopes that you might not want, so pay close attention and learn where the limits are (as with anything).

I'm very happy with my purchase and I am looking forward to the exploring I will do in the near future to tame this mean beast.
handling
features
sound
quality
7
2
Report

Report

C
My Precious 2600
CovilStudio 10.06.2024
The Behringer 2600 Gray Meanie is a faithful recreation of the iconic ARP 2600 synthesizer, beloved by musicians and producers for its legendary sound and versatility. As an enthusiast of vintage synthesizers, I was eager to get my hands on the Gray Meanie, and it certainly did not disappoint.

First and foremost, the build quality is exceptional. Behringer has done an excellent job of recreating the look and feel of the original ARP 2600, with its distinctive gray and black color scheme and rugged construction. It feels solid and reliable, perfect for both studio use and live performances.

Sonically, the Gray Meanie is incredibly impressive. It captures the essence of the original ARP 2600, delivering rich and vibrant analog tones that are perfect for everything from fat basslines to soaring leads. The inclusion of authentic components and circuitry ensures that it retains the character and warmth of the original instrument.

One of the standout features of the Gray Meanie is its patching capabilities. With its extensive array of patch points, I've been able to explore a wide range of sound design possibilities, from classic subtractive synthesis to more experimental modulation techniques. The semi-modular design also makes it easy to dive in and start creating without the need for extensive patching knowledge.

The Gray Meanie also includes modern enhancements that further enhance its versatility. Features like MIDI connectivity and USB integration make it easy to integrate into a modern studio setup, while the inclusion of built-in effects adds even more sonic possibilities.

Overall, the Behringer 2600 Gray Meanie is a fantastic synthesizer that pays homage to a classic instrument while also offering modern features and enhancements. Whether you're a seasoned synthesist or a newcomer to the world of analog synthesis, the Gray Meanie is sure to inspire creativity and exploration. Highly recommended!


Oooooh that TRUE mechanical sound of the Spring... Spring Reverb! <3 <3 <3
handling
features
sound
quality
0
0
Report

Report

FA
Pure quality
Frederick Alonso 26.03.2022
Without a doubt, having many synths of 2K price point. This is sounding very expensive and worth every dollar. Has a very raw sound or can sound very soft depending on how you tune or shape the sounds when using drive on some cable loops.
handling
features
sound
quality
1
0
Report

Report

J
Very inspiring and great sounding synth
Johan73 18.12.2021
Inspiring, great sounding and great quality at a great price point. Not judging whether or not this is true to the sound of the original 2600, it does in any case sound and work great! It just begs to be experimented with and it is pure synth fun. MIDI implementation is very basic, but that's really not what this synth is about, so no big deal. And not only does it sound great – it also looks awesome! I'm thinking of getting another one, just because I like it so much and the price is so reasonable for what it is.
handling
features
sound
quality
1
0
Report

Report

YouTube on this topic