With our cookies we would like to offer you the best shopping experience possible with everything that goes with it. This includes, for example, suitable offers, personalized ads and remembering preferences. If this is okay with you, simply agree to the use of cookies for preferences, statistics and marketing by clicking on "Alright!" (show all). You can withdraw your consent at anytime via the cookie settings (here)
Note: To prevent ratings from being based on hearsay, smattering or surreptitious advertising we only allow ratings from real users on our website, who have bought the equipment from us.
After logging in you will also find all items you can rate under rate products in the customer centre.
This product is well designed and very well manufactured. It seemed to play best with a Vandoren MO ligature and Forestone Hinoki MS reed, or the Rico Jazz select. It responds very well and produced a big colourful tone with excellent technical quality. It is serial numbered, a further sign of quality control. The oversized box its sold in is poor and risks damaging the facing. They wasted money on the lavish box art to. Although its a shorter mouthpiece there were no tuning issues or trouble making a consistent tone from the lowest to highest notes. Being honest I was not totally impressed on the first playing but got used to it and enjoyed using it for 2 years. Unlike some other brands it did not change colour and stink of sulphur nor seem to play worse. This is a good reliable product made from decent materials. I cannot think of a meyer or link I've tried that was as good as this ever. You can find many playing reviews on YouTube of happy owners playing jazz and big band, not one negative comment. My son used this mouthpiece aged 10 to learn alto in preference to a Vandoren Optimum (a very easy mouthpiece to control).
This product is well designed and very well manufactured. It seemed to play best with a Vandoren MO ligature and Forestone Hinoki MS reed, or the Rico Jazz select. It responds very well and produced a big colourful tone with excellent technical quality. It is serial numbered, a further sign of quality control. The oversized box its sold in is poor and risks damaging
This product is well designed and very well manufactured. It seemed to play best with a Vandoren MO ligature and Forestone Hinoki MS reed, or the Rico Jazz select. It responds very well and produced a big colourful tone with excellent technical quality. It is serial numbered, a further sign of quality control. The oversized box its sold in is poor and risks damaging the facing. They wasted money on the lavish box art to. Although its a shorter mouthpiece there were no tuning issues or trouble making a consistent tone from the lowest to highest notes. Being honest I was not totally impressed on the first playing but got used to it and enjoyed using it for 2 years. Unlike some other brands it did not change colour and stink of sulphur nor seem to play worse. This is a good reliable product made from decent materials. I cannot think of a meyer or link I've tried that was as good as this ever. You can find many playing reviews on YouTube of happy owners playing jazz and big band, not one negative comment. My son used this mouthpiece aged 10 to learn alto in preference to a Vandoren Optimum (a very easy mouthpiece to control).
response
sound
quality
1
0
Report
Report
G
Beautifully constructed
Gerrox 20.10.2023
A huge step up from my Yamaha 4c. Fabulous balanced tones which adds a professional sound. The type of mouthpiece that makes an average Saxaphone sound like a real pro.
Unfortunately there was an error. Please try again later.
S
Sehr zufriedenVery satisfied
Schlumpfine 08.01.2017
Also, nachdem ich zweieinhalb Jahre lang mit dem Yamaha 4C gespielt habe, hat mein Lehrer mir zu einem neuen Mundstück geraten, was besser zu meinen Soundwünschen passt. Nach einigem hin und her probieren, bin ich schließlich bei diesem hier gelandet.
Ich bin wirklich sehr zufrieden - Es spricht bei mir toll an, mein Sound klingt schöner (ist natürlich immer Geschmackssache) und ich komme meinem Wunschsound damit auch viel näher.
Was vielleicht auch interessant ist: Das MP ist recht eng, also der Kork am S-Bogen braucht wirklich regelmäßig Korkfett, wenn man dieses MP benutzt.
Insgesamt bin ich aber sehr glücklich damit.
Nachtrag: Mittlerweile habe ich mich absolut an das Mundstück ngewöhnt, genügend Luft dafür usw. Es ist sehr leicht, darauf laut zu spielen - Für mich viel leichter als auf dem Yamaha 4C. Jetzt arbeite ich daran, wieder leiser spielen zu können, aber auch das geht gut - erfordert nur bessere Technik, so wie immer und überall :-) . (Ich spiele seit ca. dreieinhalb Jahren, also bin wirklich noch am Anfang)
Also, nachdem ich zweieinhalb Jahre lang mit dem Yamaha 4C gespielt habe, hat mein Lehrer mir zu einem neuen Mundstück geraten, was besser zu meinen Soundwünschen passt. Nach einigem hin und her probieren, bin ich schließlich bei diesem hier gelandet.
Ich bin wirklich sehr zufrieden - Es spricht bei mir toll an, mein Sound klingt schöner (ist natürlich immer
Also, nachdem ich zweieinhalb Jahre lang mit dem Yamaha 4C gespielt habe, hat mein Lehrer mir zu einem neuen Mundstück geraten, was besser zu meinen Soundwünschen passt. Nach einigem hin und her probieren, bin ich schließlich bei diesem hier gelandet.
Ich bin wirklich sehr zufrieden - Es spricht bei mir toll an, mein Sound klingt schöner (ist natürlich immer Geschmackssache) und ich komme meinem Wunschsound damit auch viel näher.
Was vielleicht auch interessant ist: Das MP ist recht eng, also der Kork am S-Bogen braucht wirklich regelmäßig Korkfett, wenn man dieses MP benutzt.
Insgesamt bin ich aber sehr glücklich damit.
Nachtrag: Mittlerweile habe ich mich absolut an das Mundstück ngewöhnt, genügend Luft dafür usw. Es ist sehr leicht, darauf laut zu spielen - Für mich viel leichter als auf dem Yamaha 4C. Jetzt arbeite ich daran, wieder leiser spielen zu können, aber auch das geht gut - erfordert nur bessere Technik, so wie immer und überall :-) . (Ich spiele seit ca. dreieinhalb Jahren, also bin wirklich noch am Anfang)
So, after playing with the Yamaha 4C for two and a half years, my teacher recommended a new mouthpiece that would better suit my sound preferences. After some trying back and forth, I finally landed on this one. I'm really very satisfied - it responds great to me, my sound sounds nicer (of course it's always a matter of taste) and I'm getting much closer to my desired sound. What is perhaps also interesting: The MP is quite narrow, so the cork on the S-bend really needs cork grease regularly when you use this MP. Overall, I'm very happy with it. Addendum: I've now completely gotten used to the mouthpiece, there's enough air for it, etc. It's very easy to play loudly on it - much easier for me than on the Yamaha 4C. Now I'm working on being able to play quieter again, but that's fine too - just requires better technique, like always and everywhere :-) . (I've been playing for about three and a half years, so I'm really just getting started)