Note: Battery operation is not supported
The Mooer Harmony X2 effects pedal uses two independent pitch shifters to generate two-voice harmonies from the original guitar signal, which can be flexibly spread in the stereo image at separately adjustable volume levels and instantly activated or deactivated via the left and right footswitches according to the user's needs. In contrast to harmonic shifting pedals with a simpler design, the sophisticated Mooer Harmony X2 allows users to select from a variety of keys and major or minor scales to prevent awkward tones from occurring, especially when creating complex three-part harmonies. This is perfectly complemented by two different operating modes: A stereo mixed mode for freely positioning both harmony voices in the stereo image and an individual mode that enables the dry signal and the harmony effects to be separately sent to the integrated dual-channel outputs. Direct access to all of the parameters is ensured by five robust, easy-to-use control knobs on an intuitive user interface.
The initial harmony settings of the Mooer Harmony X2 can be defined in just a few steps: The desired key is selected by pushing the Save button once, then pressing both footswitches simultaneously, and scrolling through the available keys using the footswitches – with a major scale being indicated by a red light, a minor scale by a blue light, a natural scale by a single illuminated LED, and a raised or lowered scale by two illuminated LEDs. Users can subsequently select the intervals via the Note L and Note R control knobs, separately adjust the volume level of each of the two channels via the Left and Right volume controls, dial in the original guitar signal using the Dry control knob, and finally press the Save button to store these harmony settings as a preset. Whether it is operated as part of a pedalboard or within an FX loop – the Mooer Harmony X2 is usually best placed before a distortion unit in the signal chain in order to prevent inaccurate pitch tracking and loss of clarity.
The Mooer Harmony X2, which is primarily aimed at guitarists who have a basic understanding of the theory of harmony in Western music, will allow all those who master the corresponding intervals, major and minor keys, and scales to create wonderful harmonies and fascinating triads. Thanks to its ability to place two pitch-shifted harmony voices on top of a signal, the Mooer Harmony X2 is eminently suitable for one-guitar trios who want to extend their range of harmonic possibilities for guitar solos and throughout the entire performance. But it doesn't stop there: The versatile Mooer Harmony X2 pedal will also allow a second dimension to be added to the tone of single-note rhythm guitars just as easily, and help aspiring lead guitarists to hone their skills playing two-part solos and gain an in-depth understanding of complex three-part harmonies in a fun way.
Mooer is based in the Chinese city of Shenzhen and has been making products for guitarists since 2010, which include compact single pedals through to multi-effects units and compact amplifiers. The company initially produced a range of mini pedals before making perhaps its most significant breakthrough in 2016 with the sophisticated Ocean Machine delay pedal, which was designed in collaboration with Devin Townsend. Mooer's product range now also includes solutions that feature amp modelling, IR-based speaker simulation, and matching equalisers, and the company's focus remains firmly on the use of digital technology.
The Mooer Harmony X2 will come into its own in a wide range of applications: Solo guitarists will be able to play full-blown three-part licks à la Brian May and the Scorpions all on their own live on stage, or harmonise their solos in a dynamic way by playing the single-part lick first and subsequently adding the second voice on the left channel and the third voice on the right channel via the footswitches during the repetition to create a chord for the chorus. The Mooer Harmony X2 even allows simple single-note licks to be transformed into captivating harmonic sound textures by dialling in a harmony as a second voice and combining this with a slight delay and reverb. Guitarists who want to create sounds with interesting depth can use the harmony pedal in a stereo setup and refine the harmony voices with a ping-pong delay, a reverb, and a mild chorus, or even combine it with a volume pedal and dial in a higher feedback to generate complex ambient soundscapes that listeners would only expect from a real synth.