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Harley Benton MP-500 Interface/Foot Control

42

USB Audio Interface with MIDI Foot Controller

  • Turns an iPhone, iPad or computer into a powerful guitar amp and effects device, and controls your favorite app or software with foot-switches
  • Can also be used as an independent MIDI foot controller
  • Audio up to 192 kHz / 24 bit
  • 8 Programmable foot-switches
  • 2 Expression Pedal Inputs for Volume, Wah or other effect parameters (Expression pedals are not included)
  • Sends Program Change and Control Change Midi commands via the USB port as well as the MIDI output
  • Already contains preprogrammed configurations for popular software or devices, e.g. Bias FX, JamUp, Kemper or Ax FX
  • Controls: Ea, L-Out, R-Out, L-In, R-In
  • Dimensions (W x D x H): 260 x 130 x 60 mm
  • Weight: 980 g
  • Includes MIDI cable, USB Type B cable, USB Micro B cable, 1.0 mm Guitar Pick and 3.5 mm stereo mini jack to 6.3 mm stereo jack adapter

Connections:

  • L Input for instruments: 6.3 mm Stereo jack
  • R dynamic microphone input: 6.3 mm Stereo jack
  • XLR input for condenser microphones (with 12 V phantom power)
  • 2 Expression Pedal Inputs: 6.3 mm Stereo jack
  • Headphone output: 3.5 mm Mini jack
  • MIDI In & Out
  • USB
Available since January 2019
Item number 432466
Sales Unit 1 piece(s)
Type Audio Interface
Amount Of Switches 8
Recording / Playback Channels 2x2
Number Of Pedals 0
Number of Mic Inputs 2
Number of Line Inputs 2
Display 1
Instrument Inputs 1
Number of Line Outs 2
Connector For Expression Pedal 1
Headphone Outs 1
Phantom power 1
Number of S/PDIF Connectors 0
Number of ADAT Connectors 0
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Word Clock No
Ethernet 0
Other Connectors USB
MIDI interface 1
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered 1
USB Version 2.0
Width in mm 260 mm
Depth in mm 130 mm
Height in mm 60 mm
Connection Format USB port Type B
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639 AED 166,39 €
Plus 269 AED shipping
The price in AED is a guideline price only
Since we ship from Germany, additional costs through taxes and customs may be incurred
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
1

42 Customer ratings

4.1 / 5

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features

quality

36 Reviews

B
Works well with Bias Fx 2 Moble ios
Bassundergrace 30.05.2021
I found little info on these so I wanted to share some things others may find helpful especially if using bias fx mobile ios.
1) it is indeed pre-programmed for bias fx, but you will need to change the mode to bifx as the default is for jamup.
2) The ipad does power the pedal on its own, but you will need what apple calls a camera to usb adapter.
3) Adding external power to the pedal does not seem to charge ipad, (I am using apple USB 3 adapter) at least not with the apple adapter I bought.
4) The "L in" does send signal to both right (XLR and 1/4) and left (1/4) outputs. So you can xlr to mains and run a 1/4 out to an amplifier on stage. The output volumes are separate for these in mono which is nice.
5) There is some kind of funky bypass mode. (noted by a left arrow on led screen) Still not quite sure what combo of buttons I did that got rid of it.
6) The headphone out does seem to mute the other outputs when something is in it.
7) You can assign the positive grid tuner or a specific pedal to a switch 1-4, switches A-D are for your presets.
features
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5
1
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K
Can't get it to work
Kbenda 08.06.2019
Not happy so far with product. I've spent over an hour tyring to get something out of it, but nothing. I've tried electric guitar and mandolin using 2 different patch cables, a condenser mic, and a dynamic mic. I've tried headphones with Garageband, and headphones with the unit not plugged into anything (except for power). So far, not a single indication of sound in any situation. No sound in the headphones, no sound in Garageband, no indication of sound on the unit's display.

The manual doesn't give any troubleshooting steps, so I'm fumbling in the dark, trying one thing and another, pressing buttons, turning dials, changing instruments and cables...

It shouldn't be this difficult.

Follow-up:
Still not happy with the pedal.

After several more hours of trying every combination of instrument/mic, cable, and app I could think of, I eventually discovered that I can get sound in and out of the pedal only if all volume knobs (on instrument, MP-500 input, iPad volume output, and MP500 headphone output) are set to 100%. But even then the volume is unacceptably low, and the volume can't compete with other apps. For example, I have an app whose free version I am testing before I buy the pro version, and it occasionally announces "This is the free version; please upgrade to pro". While I'm testing the MP-500 (with all volume knobs set to 100%), this announcement nearly blows my eardrums out because the output volumes are set so high.

Since I hear the announcement loud and clear through the headphones attached to the pedal, it seems that the problem is not with audio output from the iPad to the pedal. So the problem must lie in the audio being sent from the pedal to the iPad. But I don't know how to test or troubleshoot this.

Other problems:
-- The pedal gives no visual indicators of audio volumes. The only indicators are of knob position, not of actual volumes. For example, it doesn't really help me to know that the input volume on the pedal is set to +4dB if my instrument cable isn't plugged in properly or if the microphone is switched off. What would help is to see the actual audio level coming in or going out. The pedal shows a simple but nice display of the attached expression pedal CC values -- it would be great if there was such a display for audio as well.

-- The phantom power is only 24V, so if you have mics that require standard 48V phantom power, they won't work. (That was part of my initial difficulty -- I was using a 48V condenser mic for many of my initial tests. No wonder I couldn't hear anything. If the pedal had an indication of volume levels, as mentioned above, I could have seen that the mic input levels were too low, and I wouldn't have wasted time with that mic.)
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6
6
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RW
Easy to setup and great sound quality
Rich WIlliams 26.05.2019
Finally got around to setting this up today. I am using an iPad6 running Jam Origin Guitar MIDI 2, Korg Module and the MP-500 as both a sound interface and as a way of switching patches within Korg module. it does exactly what I wanted it to do and the sound quality is excellent. Many thanks.
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1
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sk
Missing MIDI Customizability features
studio kevin 12.08.2024
I purchased the MP-500 to use as an interface for acoustic guitar and vocals with a laptop running Ableton Live. My goal was to use the footswitches to toggle various effects within Live, and the main reason that I bought the MP-500 over the XSonic XTone Pro is because the MP-500 has two expression pedal inputs rather than just one. I also thought that the two-tiered, angled switches would provide some usability improvement over the XTone, but in practice, neither of these features really panned out.

The switches are a bit too close together, making it difficult to press the number rows without also hitting the associated letter (i.e. it's difficult to stomp on 2 without also stomping on B).

The deal-breaker that I hit, though, is that the switches themselves can only be programmed as Toggle: On or Toggle: Off.

When Toggle is on, the switch behaves like a completely reasonable toggle: pressing a switch once sends a CC value of 64 to indicate that the switch is "on", and pressing the switch again sends a CC value of 0 to indicate that the switch is "off".

Unfortunately, when Toggle is off, the switch only transmits a CC value of 64 on press, and does not transmit any CC value at all when the switch is released, which makes it impossible to use for momentary effects (e.g. raise the Send amount to 0dB when the switch is activated, and drop the Send amount down to -infinity dB when the switch is released).

For typical stompbox emulation, this might not be a deal-breaker, but for my uses, it renders the pedal inadequate.

Further, I could not figure out how to get the output of a Roland EV-5 expression pedal to register with the MP-500 at all, in either of the expression input jacks, so the benefit of having two jacks was also quickly washed away.

It's unfortunate, because the form factor is relatively unique, and the feature set is extremely close to what I actually need, but the execution didn't deliver.
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0
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